J. S. Bach, St. Matthew Passion, Madrid, conductor - David Afkham

Of the soloists, the highlight was Christian Immler the baritone, with noble timbre, even, frank delivery, warm phrasing, who presented a peerless Jesus.

La Razon, Arturo Reverter, February 2018

W. A. Mozart: The Magic Flute, Festival Aix-en-Provence, conductor - Raphael Pichon, stage director - Simon McBurney

Christian Immler est un fort éloquent Sprecher

Forumopera, Laurent Bury, July 2018

Mendelssohn: ‘Elias’, Gewandhaus Leipzig, conductor - Masaaki Suzuki

Christian Immler fashions his Elijah based on humanity ... A magnificent role portrait ... One that shows a man and not a marble statue. One that is conveyed through song, not, as so often, through shouting. One, finally, that perfectly fits into the musical dramaturgy of Masaaki Suzuki.

Leipziger Volkszeitung, June 2018, Peter Korfmacher

J. S. Bach: Cantata No. 201, 'Geschwinde, ihr wirbelnden Winde’, conductor - Masaaki Suzuki

...Both roles are strikingly well acted out by Christian Immler and Dominik Wörner

Gramophone, Jonathan Freeman-Attwood, March 2018

J. S. Bach: St. John Passion, conductor - Jeannette Sorrell

... Soprano Amanda Forsythe and baritone Christian Immler acquit themselves with distinction in the arias.

BBC Music Magazine, Paul Riley, April 2017


...there is sincere gentleness in Christian Immler’s ‘Mein teurer Heiland’


Gramophone, David Vickers, April 2017

A. Steffani: Duets of Love and Passion

...Immler, with the lowest voice of all, convinces in finding emotional depth and pain in the music.

Musicweb-International, Curtis Rogers, September 2017

Handel: La Resurrezione - Boston Early Music Festival

... an excellent performance of Handel’s early oratorio “La Resurrezione”: Karina Gauvin as the Angel and Christian Immler (a devilish Plutone in Campra’s underworld) as Lucifer.

The New York Times, James. R. Oestreich, June 2017

Songs: Schumann, Franz, Liszt (CD) with Georges Starobinski

Recording of the Month Musicweb-International

... Immler offers sensitive and varied readings with deep feeling for the texts. He has a beautiful, well-schooled light baritone and his Bach-training is a good base for a Liedersinger. Also there is no lack of strength and capacity to negotiate even the most dramatic songs with admirable command. This issue becomes one of the best Lieder discs that have come my way in recent times.

I praised Gerald Finley’s recent disc in the intended complete cycle on Hyperion and here he has a worthy competitor. Die Loreley, which Finley doesn’t sing, gets a ravishing reading of a truly ravishing song.

Musicweb International, Göran Forsling, February 2016

Steffani: Chamber Duets - Boston Early Music Festival

... Christian Immler’s versatile baritone seemed ideally suited to this repertory, encompassing a light and flexible tone quality in the upper range along with penetrating bass tones.

Boston Musical Intelligencer, Virginia Newes, October 2017

Monteverdi: Poppea - Boston Early Music Festival

... Other standouts among the cast included Christian Immler’s wonderfully lucid Seneca, the lone advocate for reason and morality under attack from all sides.

Boston Globe, Jeremy Eichler, June 2015

Mozart: Die Zauberflöte/The Magic Flute - Dijon Opera

... Christian Immler est un orateur impressionnant, animé, juste, puissant.

Forumopera, Yvan Beuvard, March 2017

Campra: Le Carnaval de Venise - Boston Early Music Festival

... Bass Christian Immler was superb as the Manager and sepulcral as Plutone.

Early Music America, Benjamin Dunham, June 2017

Bach: Trauermusik - Ensemble Pygmalion (CD)

... On décernera enfin une mention spéciale au baryton Christian Immler, au timbre frais et chaleureux et à la voix d’une grande ductilité, qui rappelle les plus grands.

Forum Opéra, Julien Marion, 2014

Songs: Schumann, Franz, Liszt (CD) with Georges Starobinski

...Immler vermag mit seiner kräftigen, biegsamen, leicht ansprechenden Baritonstimme wundervoll flexibel zu agieren; sein Gesang schmiegt sich förmlich in die Kantilenen der Lieder, zudem ist seine Diktion höchst umsichtig und differenziert. Wer so mit Melos und Sprache umzugehen versteht, der muss einfach Lieder singen!

Michael Wersin, Rondo Magazin, August 2015

Recital: Schubert, Beethoven, Haydn, Mozart with Kristian Bezuidenhout - Paris

... Le programme le plus ambitieux est sans nul doute celui de Christian Immler. ... Il assume ce programme avec une voix chaleureuse et solide : une éloquence de prophète, pourrait-on dire, qui va bien avec ce programme. Il présente dans un excellent français ses bis : pourquoi diable personne ne lui a-t-il proposé Golaud ?

Resmusica, Dominique Adrian, January 2017